Lessons from NaNoWriMo 2015

So this year, I returned to the short story. I have found that I'm actually a lot better at short stories than trying to directly apply myself into a huge novel. There is something mentally relieving when I can switch gears if I am not feeling the characters I'm working on at the time.

One of the struggles I really could not compromise on was the fact that I was working on some ideas  in my stories and I had no purpose for the characters. I just had these one or two phrases to write the story and it made being a "pantser" (writing by the seat of my pants), a lot less appealing for the first year. I can be flexible with my writing and accept if there should not be something I should push with my writing, but without traditional literary themes (exploration of 'riches', emotional contrasts, political statements, emotional growth) I found my first draft stifling. My characters turned wooden and were hardly moving. I was really disappointed in that fact. Previously, most of my characters were characters to be proud of. And this year, while I had interesting stories, I did not have interesting characters.

In the case where I had an interesting character, I felt shackled by an uprising in the writing community to avoid some types of story lines because they are all too easy to use as "ways to make the story work." And while normally, I ignore that advice, I thought I should try for once just to see if I could look at the tasks faced by my characters and come up with less common tasks for my characters to overcome and that are just as emotionally shackling as some more traumatic human experiences. And they are hard to fathom. Most of these struggles are deeply pained sorts of losses and with out exploration, they continue to eat away at the character, stripping them to their basic level and no one really knows how to rebuild from the emotional destruction better than the character.

So for next year, I'm going to do more than just "try to write more". I want to commit back to writing more like once a week for a full hour. I want to make sure I address more basic literary themes, based on leaving them in the dust this year, I realized if I had addressed them, my stories would have been stronger. And finally, I want to remember that the characters come first in fictional writing. It is not just their world I am building, I am building them.

NaNo2015 Update from 8 days in

There were plans. As a 60/40 pantser: there were plans. I swear there were. Especially around blogging this year.

And then POOF. Time. Life. Demands beyond belief.

When I tell you that my health is taking a dive here, you might want to believe it. The phone call to my personal physician is also on "the list" for December.

But I'm on schedule to finish 60,000 words 11/30. I'm working on 2 short stories at the same time, which is useful when I'm struggling with one scene, I can pop over to the other story and write in information I feel necessary so I can think about something else for a little while.

But I forage on. One day, I'd like to be someone who tries to get 50,000 in over 2 days or something. As it is, I'm about 2000 words in a dedicated hour. Something that I thought would be easier.

I love NaNoWriMo, if nothing else, to remind me to focus, and drown out all the issues that plague me and worry me because my writing is really soothing in the end. That's why I started blogging. That's why I started writing through NaNoWriMo.

I love to write. I will continue to do so.

NaNoWriMo Count Down

I'm not that crazy. I mean I do know there are 34 days until I can rev up my writing engine and get out all the work necessary.

I have five story ideas that are ready to go for this year's NaNo. I'm really looking forward to being able to get those ideas out and the characters to become more than just a few spare ideas.

Most of all, this year, I would like to break 60,000 words. I know I squeaked by in 55,000 last year, but I would really like to put in that effort, and breaking a personal record makes me wonder if it is at all possible.

I think I'm set. I just have to register and go. But first: birthday party palooza. I have no less than 3 babies in the next few weeks who turn 1. I haven't decided what to do for them all yet, but it's on the list to focus on.

Things that make me want to quit

I've been really working on focusing on one part of a project at a time. It helps prevent the waterfall of emotion that comes with looking at the list of books I want to release over the next five years.

Today, for example, I finished the first draft of a new Stick Figure book. I don't have illustrations yet. I just put text together. I haven't figured out how I'm going to handle quotations because of the way this particular story is set up. But the whole story is laid out finally, in a feasible framework.

Over the next year, I hope to start drawing the characters I expect will be in the story and then illustrating the story as I go through.

I sat back, I enjoyed finishing that draft. I put it away. I'm not interested in dealing with that text until next summer. It can sit on back up until then.

Then I moved onto scanning all the illustrations I created. Unlike other times I've illustrated books, especially books I'm publishing, I didn't need that list. Well guess what, I needed that list.

Illustration problems: you go out of your way and create what you think should at least be 55 original drawings for your written work (which is still in the research phase, but the Illustrations are very important to the final product which in early test phases are probably going to be spread out over two books. You spend an hour scanning these original pieces of art to add into your text after digitally adding color. You count your scanned works in the folder. There are 52. 5 of which you can verify immediately as to what they are illustrations of. The remainder will have to individually be checked off a list you thought you didn't need to create. After this series is released: I need to take some serious time off illustration because this drives me nuts.

 I suppose I could always apply and try to get this manuscript taken and published "for real" but I would still have the issues of incomplete data and the fact that everything is just too dense in the real world for the subject matter I create.

Meanwhile, I'm carefully cropping and preparing the illustrations I do have, trying not to go figure out which drawings I'm missing. Who am I kidding? I will be doing that tomorrow.

Copy rights and other things

A good author should always be writing. The problem with my life: I'm not always doing so. Some of it is there are parts of my life that are not involved with writing; sleeping, eating, self-entertaining (TV/media), friends, and stuff writing related (research, illustrating, and editing).

So when I announced at the end of last month I had finally produced a second edition to a book I had written two years ago, I was over the moon with joy. Today, I'm sitting and waiting for the physical proof of a second book in a series to arrive so I can check it for publishing. 

I have also started five new projects, two of which I sent to a pay to use publisher that was about a week of work for both. The remaining three non-fiction projects include intensive research one that requires reading Homer. I've got to say that while I am versed and highly skilled in research, even before the advent of Google, research is a pain. You've got to be extraordinarily organized and prepared for anything that you will uncover.

And then there are no less than three fictional works in progress. I realized last year during NaNo, I was feeling rusty, as if my written work was suffering from my lack of connection to the worlds I was building, even if the world as we see it wasn't that different than the world in the piece I was writing. The good news is that these written works have been started, yet they are hardly publishing level. I don't know if they will ever be ready. I worry about that because that is my goal, to have work prepared for people to share. 

Then there is blogging, I need todo more of it, and hold myself to the deadlines because clearly that works during the 8 months a year I blog for the Company. I am getting better. 

An announcement of no small proportions, I've just formally registered for a copyright for one of my books. I'm thrilled and scared all at the same time. Hopefully the Office of Copyright will see fit to bestow one of their precious certificates on me. I won't know for 8 months. Previous works are actually protected by common copyright law. Having been published is enough to generally protect the work but this last step is an important legal step.

There is a lot going on in the world of writing. I enjoy [almost] every minute of it.

While I have you here: I'm now a part of a campaign #BetterTogether. Using this hashtag is meant to help promote inclusive communities for people with disabilities. Hopefully I will have cause to use it soon.

Long Plot Line of Continuity

A general I have three little "plot bunnies" for fiction work I'm working on. One of which, yesterday, I was about to let out for someone else to claim as their own but I was thinking about how vividly I dreamed and how much I thought the ending would be an interesting twist. So I kept the plot bunny. I'm looking at these three and realizing how much I love the short story. Even with twists, they are to the point, and they don't require elaboration in the case of no one cares what they eat for lunch on Tuesday. Unless it really matters to the plot.

Other important issues before I get to the point of why I'm writing today, I finished submitting and the process for publication of yet another book for the company. Since having finished that book, I continue to bounce around ideas for releasing the second book this summer. I have yet to finish setting it up, I'm afraid of finding a huge error right now. To complicate matters, though I backed up everything and the old hard drive is still accessible, I got a new hard drive in the laptop, but it isn't the old set up which is its own problem. I can't quite find if there was a "D" file and gaps in my research show that I may need to hold onto this book just a little bit longer.

I have eight active projects I rotate through these days. Two on similar topics but are presented differently and the rest are all history based. I will eventually return to science, I have a whole new section to add, but it's also going to be much harder. I am also working on finding illustrations to accompany each section. It's a lot harder than it sounds because I'm mostly preparing all of these photographs for each chapter. Right now, I have an estimate on my hands that one of my books will be 300 pages--pushing its retail price into the $60 range. I'm hoping to bring down the cost, and yet every time I think about cutting a corner somewhere, I realize I'm short changing some piece of the layout.

But all of these are minor plot points in my goals of publishing and writing. Both professionally and informally, my writing forms this grander story arc. Unlike my writings: I don't know where this is headed ultimately. It certainly isn't for fame. And it isn't bound for riches. I've made my peace with those two points. Maybe one day, but certainly not now.

But TV plot lines have gotten a little crazy lately. Sometimes they remember the point of everything. Sometimes they make you remember information from three seasons back. And sometimes, each season might as well be its own thing and have no basis in reality. Some shows are very disjointed from reality to begin with, but others make you wonder how many times they will fire the entire writing team and start over. Just because the writers preserve the characters and their background stories does not mean that the writers understand what they've done the last forty episodes, or even the last two weeks of filming.

I also realize that most people no longer watch an episode a week, instead turning to 'binge' watch in a batch. But then: even having all the episodes with quick turn around means that some things may make even less sense. I am very bothered by this.

Four Hour Work Window

Because it is summer time, in order to conserve electricity for more important uses like air conditioning, I tend to only have a four hour work window. This is from around eight in the morning until noon. During this time I also have things like doctor appointments, getting things set up for the work day, or other errands that tend to occupy my time.

So, those are pretty big stumbling blocks considering I've only been out of official work since Thursday afternoon. But apparently chipping away at a revised edition since last September has finally paid off. Six days after getting out of work: one book is at the 99% completion mark as per my publisher's requirements right now.

Some things I regret about the second edition: I pulled out the beautiful, yet useless, map art work pages. There were ten pages dedicated to just pure artwork. And it took some convincing on my part to let those pages go. They were pretty, as far as computer art without depth goes. But since they didn't really contribute to the book, and they were taking up valuable physical space, they were pulled. I also removed over fifteen pages of communication icons. Those were useful, however, due to the nature of the publisher I am using, I can't leave more than two pages blank and then, the communication icons wouldn't be as accessible as possible. However, they are published through another website and are easily purchased for a few dollars.

I also took advantage of some formatting changes and aligned the glossary to look more like the glossary of the Just the Words series and the upcoming books that may partner with Finding It in the World: Geography.

But I'm pretty excited. I should be able to "sell" the book soon. Meanwhile, my four hour work window has closed. Time for me to find non-electronic work to focus on.