Diversity in Writing and Television

I spent a chunk of my morning today watching a Charlie Chan movie. If you've missed them, Charlie Chan happens to be a man of Chinese descent with thirteen children, a wife, and is a well versed homicide detective. One of the trademarks of Charlie Chan's character is that he speaks in an accent. It is easy enough to understand, but there are nuances that are built into the Charlie Chan character that are a part of the world of the 1940s.

There are parts of me that would love an updated Charlie Chan. Charlie Chan, as a character, was not easily fooled. Even when his older children, and eventually his grandsons, tried to help him, he was not at all bothered by the mess or noise that came with the world of excited youth. But, making a movie or even a television remake might be mired in misdirection these days.

Which leads me to other considerations of diversity. I'm a huge TV watcher. Thank goodness for the development of the DVR. I can write and work on watching some TV all at the same time. But there are two shows I spend a lot of time on, that sometimes I wonder about.

The first is "Two Broke Girls". The girls are working as waitresses in an up and coming neighborhood in a diner run by a man who happens to be Asian. This man is a recent immigrant to the United States and over the four seasons has been the subject of many jokes the least not of which is his height. I can promise you it has been demonstrated through the show multiple times that both the man and the two women that they mutually care for each other, the jokes are a part of how they show affection. But initially, and even if you step away from that, it does look like they are going round for round in the quest for who can be the most cruel.

The second show I watch is "Jane the Virgin". Pushing aside issues arising from the main plot line of the story, again here is a show about diversity in the world. I appreciate this show because Jane is a worthy character in her world. Ignoring her pregnancy and the plot lines involving directly to her pregnancy, she contributes and wants to contribute to her world. She views the world with both feet planted in thing that is most important to her: her family. This is in direct contrast to a Pilot episode of "Cristela", also of Latin background, that exists on another station. I'm annoyed at Cristela because while I can accept the family dynamic, Cristela is disregarded at work as just someone who happens to not be white. Cristela has a lot to contribute but her contributions are the punch line. I realize in the same breath of contrasting directly to Jane and Cristela: Jane is a telenovella, a drama, Cristela is a half hour comedy. But where Jane is valued and even when all the things she wants does not work out; Cristela is a series of gags at Cristela's expense.

And then this leads to the mid-year replacement of "Fresh Off The Boat". I saw early trailers for this TV show, and frankly, I will be surprised if it makes the rest of the season. An Asian family leaves their mostly Asian community and moves to a community where they are the minority. There are several culture clashes, namely when the oldest son goes to school and the smell of his lunch puts off his classmates this leads to the son asking for a more American lunch. While I think some of the interactions beyond the home in this comedy prove to be useful and not intentionally limiting, as an entire show, I don't know how to place value on this contribution to culture.

I am reminded of one of the first Asian family comedies: All American Girl with Margaret Cho. And that show completely resonated with me. The desire for cultural conditions that did not exist in with the complexities of traditional Asian American expectations. While I was much younger and some of the nuances did probably fly past me, the show was great at not isolating the family. 

But why bother with looking at these issues? Partly because I have been following the work of the Geena Davis Institute. They are primarily an organization that tracks and shares data on the equality of gender in the entertainment industry. They've done exhaustive research on the number of male/female characters and executives making shows in all sorts of shows and movies. The study that caught my attention was one that recently discussed the impact of non-named characters in shows. That the camera panning around a room setting the scene has not been 50/50 male/female. Even the perception of a charcter's gender in a background is default selected as male. The problem that this leads to: little boys and girls do not get a chance to see themselves as those characters. Not just in shows that are aimed at the kids, but shows their parents watch that kids might walk in on or hear their parents talking about.

Does this matter to shows I watch that take place in history? Not at all. If the goal of a historical drama or comedy is to represent that era then there is nothing wrong with the show not necessarily reaching the same benchmarks. There are more subtle, historically correct, manners to accomplish a certain goal, but social awareness should not the end goal of historical fiction.

So this leads into writing. I admit I have been profoundly affected by my mostly white washed upbringing. There is nothing wrong with being of European descent. The majority of my friends are from some European country, several generations ago, some as recent as having been made citizens in their life time. But I also know that there is nothing out there for me: a multi-ethnic person. So while shows like "Fresh Off The Boat", "Two Broke Girls", "Jane the Virgin", and "Charlie Chan" all have given snippets of truth in my life they have not been able to classify my experience through drama or through humor. And I put a lot of stock on humor.

So how do I help contribute? I really find it off putting to describe someone's physical characteristics. I think that's one of my weakest points in my writing. Even if I were not to be blunt about the physical features of my characters and more poetic, I know as a reader: I ignore those tidbits. And then the role of a person by ethnicity matters too: roles of leadership, roles of cleverness/intelligence, and roles of fear are not limited by ethnicity, physical ability, mental ability, or gender. But for me as a writer: all of these aspects have to be natural. They cannot be formulated like a boy band. Unlike the rules for a hero's journey or aspects of a continual plot, characters know no limits. At least in writing, unlike performances where I am limited to the types of people who have come forward. I am not shackled in my imagination.

I really do hope, one day, television will be better about social equality in modern settings. As a writer, I need to work on being more inclusive in my characters.

The Post NaNoWriMo Blog Wrap-up

My NaNoWriMo has been validated. And an impressive 55, 118 words was the final count.

What I learned this year: I have gotten rusty when it comes to fiction. I am not reading enough different materials anymore and I am not developing my characters the way I need them to develop into deep creatures of habit.

So what I may end up doing next year is finding characters I have already worked on or at least tried to work on previously and finding a deeper story to provide the depth and the generous story quality I know I can create.

I also happen to know that I am not creating those moments for my characters, moments that I hold in deep emotion. Those have been harder to create this year.

The best news: the growth out of the deep dark that I can write was not nearly as bad this year. I could write a dark, emotionally haunting scene, and as an author I could walk away and not feel the emotion boiling over limiting my ability to recover.

I don't know if that is a reflection of maturity as a writer, or the fact that I did not care about my work this year.

As for my company books that are pending: I have five or six books lined up and I just need to get them to be organized.

So new goals:

1. Write more. This isn't a quantity, this is a discipline. And more in fiction.
2. Remember that I can only improve. Or at least that is my goal to continue to improve.
3. Ignore the goal of publishing. It would be great if I was worth lots of money from my writing, but it is not the only thing I can do.
4. Know that I am in this for the long haul. I like writing. I always have. 

NaNoWriMo 2014: done. And now a little time to relax while I prepare some books for my company for publication.

More Rantings from the NaNoWriMo Side

I don't think I've ever blogged so much in one month through this account. Let me tell you something, it's for a great cause.

So to date: at this moment I've written 12,001 words. That last word was a hard won fight.

Here's why: I realized that I'm telling a story about a character who has no likes or dislikes. She has no attachments, and her relationships last only as long as a few breaths.

Shouldn't she be a secondary character?

The character challenge. Building characters because they have nothing is pretty key here. Not because they rise from nothing to become nothing, but the character who cannot do anything, shackled by oppression...it's almost 18th century French or Russian literature...And then they drift into the aether of existence.

I didn't know that when I chose this character to follow. I thought I had another story here. Wow. I love this journey.

Near future: I need to cross into 16,000 word territory to make up for the 2 nights this week I've skipped writing. I need to focus on the world around my character more. I'm excited and giddy. Right now I'm also worried that my goal of 60,000 with being happy cracking 55, 000 is going to be too much. But I'm going to try. I've got nothing to lose right?

Why NaNo2014?

Or better yet, why NaNo at all?

As a person who generally walks down the street, I am normally not thinking about the sidewalk, or things I see, hear, or smell specifically in much detail. My world lives and dies the way I write, the way I think, and the way I need to convince someone else to think.

Writing is probably the easiest way for me to do this. I've been very reluctant orally to express my thoughts.

But while I write describing every last item within reach of my characters, I know completely that over half of that dribble will be cut away. None of it matters, but it mattered to me because I am trying to build a world that I know almost nothing about even if it is very similar to my own world.


So far, so good, crossing 2000 words after an hour and a half of writing yesterday. Going to try for some more today. My goal this year officially is 55,000 words. I would _really_ like 60,000 just to say I was able to make it.

Other complications: the blogging I do for the Company. That's at least an hour or two once a week to develop the topic, edit what I have written (sometimes rather poorly I might add) and then send it through the social media whirlwind.

But I can't abandon the idea of NaNo after nine years. I like the dedication I am required to have to help hone discipline I rarely use in the rest of my life. Although, upon brief reflection that discipline would serve me better if I used it more often outside of NaNoWriMo.

Time to get cracking. Another 2000 words await being placed on the page.

NaNoWriMo 2014

I promised myself, that in my life, if things became routine, that I would really examine why I kept doing them, to look out for things that I perhaps did not want to keep doing.

NaNoWriMo is exempt from that promise. There are things that are very conducive to knowing I will come home, I will find at least an hour or two to dedicate to writing at least 1667 words, but up to 2000 words. I have been able in the past, dedicate upwards of 5000 words in a day.

But I need to be practical for a little while. I have 3 company blog posts during November. I will have to post those or at least prepare them over an hour in advance of publication over the three weeks. I have work that requires a lot more of my energy. I will also have to prepare the quarterly budget report. The good news, not a lot changed from the previous quarter, so that's not too demanding.

Of course there are obligations like family and the need to relax. And there are exciting things happening with my friends I wish to take part in.

So how does time management come into this? Well, there are things I will have to give up. Showers, food, and sleep are non-negotiable. In bed by 10, up by 6:30. That's my life, non-negotiable. TV and gaming time are flexible. My productivity drops to around 15-25% activity during those times, but I combine that with family time, and so I don't think that's too bad.

So more importantly: what I am I writing?

I'm writing a prequel to a story I worked on for years. I came across a story plot by accident. I was writing a suggestion to someone and then I realized it would be a great baseline for myself, so I kept it for myself. And as I created the situation, I realized, the person who sat across from my doomed main character was someone I had already created.

It is the first time I'll really look at an adult/child professional relationship and the helplessness of adults and children even when they do really want to help the other.

That's what I've got going for November.

I have prepared two books for publication in 2015. I think those are almost ready to go. I have the cover ready for the first. The second I keep working on the material. It's harder to manage a vocabulary only book than I anticipated. In the meantime, I keep working.

I hope to announce my word counts more regularly. See you soon! Writing like crazy.

Two books, one summer, and onto other things

First, don't let the title scare you. I'm going to keep going here.

But my "paying job" has begun. I use the paying term losely. While I make more than minumum wage, I shouldn't complain as I am employed, but I honestly don't make enough at a shade under 40 hours a week to be successful and financially careful.

But here to announce book #2 of this summer: The Bard In Stick Figures. It has 130 illustrations, of which 110 are original illustrations. By the third story, I had a really good method for getting the characters into the scene and into position.

It includes both interpretation and direct quotes.

I might be able to re-release that book I wrote last summer in a second edition, but not before December.

I've started the first new books, prepping for release next summer.

This life of publishing is awesome.

Onto NaNoWriMo.

Muses and upcoming

I have spent most of my writing career getting material on the road. I have conveniently arranged my life to try and figure out how to work my way into Los Angeles and to see my friends.

Almost six years ago now, my friend Jane found a kitten. The kitten joined a large family of other cats, but fit in rather well. The car was named "Trainwreck". In the early years, I would work on the couch while visiting. If my friends went to work, I would stay and work from my laptop. And Trainwreck would come over for cuddles. In those early days, there were long nights and sometimes, naps. Trainwreck seemed to understand that my napping in front of the computer would be detrimental to my success. And though I was pretty allergic, I would find some cat claws deep in my leg.

I'm back right now, and Trainwreck is outside. But clearly my muse remembers who I am. A half squeak from this cat and I'm awake. Actually, right now, she is sunning right out of the window while I work on the last few pages of the new book I am about to release.

I haven't nodded off yet, but when I do, I'm certain, Trainwreck will find away to get me up and working. So close on the new book.